Saturday, July 18, 2009

11 FILM INFLUENCES - BORROWING FROM THE BEST!

Lets talk influences. The films you see shape in many ways what your visuals (as a Director and DP) look like. What your "style" will be. Its a great school in many ways...

Most of the truly great directors learn from the past and "borrow" from the styles, camera angles, editing choices, etc, of great films.

Certain films from my past have shaped my style of shooting and actually saved me in times of trouble on a set. I can always go to my "mind" bag of tricks, tricks I learned from these films.

I could name the usual suspects, the classic films everyone knows, "Jaws", "The Shining", "The Godfather"...but no...I always tended to explore and look for more obscure films.

Give these a try, you won't regret it!



ALTERED STATES (1980) Ken Russell

This one blew my mind and still does. Great editing and use of simple but killer visuals to portrait "hallucinations" on screen. Plus it introduced William Hurt as a force in Hollywood.
A great example of intelligent Science Fiction.

DON'T LOOK NOW (1973) Nicolas Roeg

A fantastic film that uses "color" as a symbol of tragic things to come. In this case, the RED coat on a little girl. Great use of locations (Venice) and a great script.



DOCTOR ZHIVAGO (1965) David Lean

If you want to learn to frame for 2:35 aspect ratio, this one is one of those to see. Plus beautiful lighting all around. I could also mention "Lawrence of Arabia" and "Bridge over River Kwai" from the same director, but this one did it for me.


BLOW OUT (1981) Brian De Palma

When it comes to set pieces, framing and blocking, Brian is one of the few masters. You could see most of his films in MUTE, because the imagery is so expressive...it tells the story perfectly.
This one has excellent examples of widescreen framing and the use of silence in a scene. Watch also "Carrie" and "Dressed to Kill" by the same director.



VIDEODROME (1983) David Cronenberg

David always tells dark and twisted stories, like this one. He likes to use the same 50 mm lens most of the time. Everyone of his films has that one visual that stays with you, just like Kubrick...there is always amazing ideas at play, no matter the budget. Watch his entire filmography!


SUSPIRIA (1977) Dario Argento

The film that basically taught me to use color in film. A masterpiece of operatic horror, Italian style. An example of the "bigness" one can achieve by knowing how to use the 2:35 aspect ratio canvas. A must watch.


DEAD CALM (1989) Phillip Noyce

3 characters and a boat, and lots of thrills. This one, just like "12 Angry Men" by Sidney Lumet and "Lifeboat" by Hitchcock, taught me tricks on how to keep things interesting visually with few props, only a few characters and ONE location. Phillip Noyce, just like another great Australian Director, George Miller, knew how to make things low budget look huge.


SATYRICON (1969) Fellini

Only Fellini can make films like this. Symbolism everywhere, insane ideas a studio would never touch today. This film blew me the hell away, its a little twisted and very "Italian". Fellini was always creating a world of dreams and ideas, this is the perfect example of that.


LETS SCARE JESSICA TO DEATH (1973)

This is a gem. A ZERO budget wonder that I only saw a few years ago. An eerie atmosphere is created very simply and great performances by an unknown cast elevate this to a new level.
For fans of slow and evolving terror and not the current crap-fest we call "horror".


EXCALIBUR (1980) John Boorman

John Boorman is a "maestro" of framing. His films always look amazing, cinematic. The use of production design, costumes and framing in this is still awesome. THIS is a film I always borrow from. But also from him, watch "Hell in the Pacific" and "Deliverance".



MAGIC (1978) Richard Attenborough

This one is a great example of pacing, atmosphere and cutting between actors during a scene with 2 characters, one of them being a puppet!
Anthony Hopkins gives another magnificent performance. This freaked me out as a child.
Not perfect, but still a must see.

Feel free to COMMENT below and name key films that have affected you and REMEMBER:

TRY DIFFERENT THINGS, OLDER FILMS ARE A GREAT SOURCE OF IDEAS AND YOU MIGHT BE SHOCKED TO FIND SOME AMAZING THINGS.

AS A FILMMAKER, DON'T JUST WATCH WHAT JUST CAME OUT, GO OUT AND DIG AROUND AND FIND THE GEMS THAT WILL HELP YOU IN YOUR CAREER.

Jose!


Thursday, July 16, 2009

Did Twitter Kill Bruno?


After Bruno's opening day on Friday of $14 million, how could the movie just end up with $30.4 million for the whole weekend? That's not nearly enough to cover all the lawsuits filed against Sasha Baron Cohen.

According to Richard Corliss at TIME, “‘Bruno’s box-office decline from Friday to Saturday indicates that the film’s brand of outrage was not the sort to please most moviegoers - and that their tut-tutting got around fast. Bruno could be the first movie defeated by the Twitter effect.”

Based on word of mouth, Twitter in particular, has been providing audiences with instant and quick reviews of films from friends or other trusted sources. All that translates into box office dollars.

So if you guys thought Twitter was just about telling your friends you're eating a hamburger, think again. Twitter, Facebook, MySpace & LinkedIn can also be thought of as money, big money. It can make or break a Hollywood film at the box office even with a huge advertising budget.

Or it can make your independent film go to places that it would normally never reach. It's an exciting time for independent filmmakers.

You CAN make a movie and you can make money off it too. See how we do.
Follow our tweets.

Monday, July 6, 2009

The 2009 Florida Film Incentive is doubled by Charlie Crist to 10.8 million

Attention Florida Filmmakers! Now is the time to cash in on your movies. Beginning July 1, 2009 and ending June 30, 2010 you are able to get cash back for film & television projects that shoot here in Florida.

This year, 10.8 million dollars are up for grabs. That number is double last year's 5 million. It's clear that Crist wants to boost the local entertainment business by trying to attract filmmakers from all over to shoot in our beautiful state.

Here's a quick view of what rebates are offered with various budgets:

1. General Production- TV, Commercials and Music Videos
$625,000+
Eligible for 15 - 22% Cash Rebate


2. General Production - Multiple Commercials and Music Videos
$500,000+ combined / $100,000+ per production
Eligible for 15 - 20% Cash Rebate


3. Independent Florida Filmmaker
Indie Florida Feature Films or Documentaries 70 minutes or longer
$100,000 - $625,000
Eligible for 15 - 17% Cash Rebate


4. Digital Media Projects/Interactive Entertainment
$300,000 or more
Eligible for 10% Cash Rebate

Florida’s incentive is a cold hard cash reimbursement. The producer will receive a check for the full amount listed. You have 180 days to start principal photography after your application date.

For more info on submitting an application visit: Film Florida

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